Link dump 2016/8: Open science, books on a ship, waves in the Alps, maker projects

Writing power tools

As I’m in the early stages of my final research project for my studies in Library Science, I’m looking at different ways to organise my thoughts and materials, and taking it as an opportunity to try some of the tools that are defining the current trend towards open and reproducible research. Things like version control can however quickly become complex and might scare away the bravest. It is certainly one of the most challenging topics I’ve had to teach during Software Carpentry workshops. And I’m far from understanding all of it. That’s why this Plain Person’s Guide to Plain Text Social Science looks to be a fantastic resource, laying out a complete workflow using open formats. As far as writing the actual paper, there is still no tool that will replace me. Although it might soon change, as a novel written by a computer almost won a literary price in Japan. The wind-up bird got creative.

Words in transit

I like it when a subway station is being refurbished and traces of the past are briefly brought to light again while walls are being resurfaced. This happened recently on the Paris Métro Trinité station. Together with a glimpse of swanky typefaces and yellowing memories, one learns in passing that this operation in French is called décarrossage.

The Royal Geographical Society recently digitized a series of photographs documenting Shackleton’s voyage on the Endurance, including this view of his travelling library:

Black and white view of Shackleton's library on board the ship Endurance.
Sir Ernest Shackleton’s library on the Endurance. Source: bbc.com

Of course they couldn’t resist trying to identify the contents of the library. And it is only a matter of time before Shackleton’s collection is dutifully catalogued on LibraryThing.

Earlier this month, the same Royal Geographical Society was also hosting my friend and land-art artist Sylvain Meyer for the annual conference of the Society of Garden Designers. I’m very happy that Sylvain is getting recognized for his fantastic work! I also miss my print of his early piece Ondulation, which I loaned to another friend when I left Switzerland.

Photo of a land-art installation in the Swiss Alps. The earth has been manipulated to represent a set of concentric circles.
Ondulation by Sylvain Meyer

Making extravaganza

I’m currently clearing some backlog on my feed readers. Last week I went through the map folder, today it’s the one on making. A bunch of posts were about the insane Wintergatan musical marble machine that took the Internet by storm a couple of weeks ago. Here are some other projects that jumped at me:

The other night I lost an hour of my life making an origami Darth Vader by following this instructional video by Tadashi Mori. Here’s an origami X-Wing fighter to go with it.

IMG_7247

Finally, I like a good project timelapse as much as the next guy, but this one is particularly entertaining.

Link dump 2016/1: Modernist libraries, fiction publishing, podcasts and Noah Webster

While I keep working on the draft of my first actual blog posts, let’s see if I can also use this space to keep track of what I recently enjoyed reading:

This week, I also learned that most of American English spelling can be traced to Noah Webster. He axed the extra u’s in colour and neighbour, changed offence to offense and cheque to businesslike check. He’s the one who insisted the letter “z” be pronounced “zee” instead of “zed” (he also wanted “y” to be called “yi” and “w” to become “we”). All this, and much more, from the first chapter of Mary Norris‘ Between You & Me, which is a true delight to read1.

  1. Nonrestrictive clause